Charles H. Spurgeon on Psalms 57:1
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Psalms57:1
TITLE. This Psalm was composed, as the title notes, by David prayer wise, when he hid himself from Saul in the cave, and is inscribed with a double title, Altaschith, Michtam of David. Altaschith refers to the scope, and Michtam to the dignity of the subject matter. The former signifies destroy not, or, let there be no slaughter; and may either refer to Saul, concerning whom he gave charge to his servants not to destroy him; or rather it hath reference to God, to whom in this great exigence he poured out his soul in this pathetic ejaculation; Altaschith, destroy not. The latter title, Michtam, signifies a golden ornament, and so is suited to the choice and excellent matter of the Psalm, which much more deserves such a title than Pythagoras' golden verses did. John Flavel (1627-1692), in "Divine Conduct, or the Mystery of Providence."
Title. A Psalm composed when David fled from Saul in the cave, which is referred to in Psalm 143, and which, because it is without any other distinction called "the cave, "is probably that celebrated cave where David with his six hundred followers lay concealed when Saul entered and David cut off the skirt of his robe. The king, accompanied by three thousand followers, chased him to the loftiest alpine heights —"to the sheepcotes, "where the cattle were driven in the hottest summer months only —to hunt him in every hiding place. There was a cave, in the darkened cool of which David and his men were hid. Such caves in Palestine and the East are frequently enlarged by human hands, and so capacious that they accommodate thousands of people. This song of complaint was written during the hours of suspense which David spent there, to wait until the calamity was overpast (Ps 57:2); in which he only gradually gains a stout heart (Ps 57:8). His life was really suspended by a hair, if Saul or any of his attendants had espied him! Agustus F. Tholuck.
Title. The cave. There appear good grounds for the local tradition which fixes the cave on the borders of the Dead Sea, although there is no certainty with regard to the particular cave pointed out. The cave so designated is at a point to which David was far more likely to summon his parents, whom he intended to take from Bethlehem in to Moab, than to any place in the western plains... It is an immense natural cavern, the mouth of which can be approached only on foot along the side of the cliff. Irby and Mangles, who visited it without being aware that it was the reputed Cave of Adullam, state that it "runs in by a long, winding, narrow passage, with small chambers or cavities on either side. We soon came to a large chamber with natural arches of great height; from this last there were numerous passages, leading in all directions, occasionally joined by others at right angles, and forming a perfect labyrinth, which our guides assured us had never been perfectly explored —the people being afraid of losing themselves. The passages are generally four feet high by three feet wide, and were all on a level with each other." ...It seems probable that David as a native of Bethlehem, must have been well acquainted with this remarkable spot, and had probably often availed himself of its shelter, when out with his father's flocks. It would, therefore, naturally occur to him as a place of refuge when he fled from Gath. John Kitto (1804-1854), in "A Cyclopaedia of Biblical Literature."
Whole Psalm. Mystically this hymn may be construed of Christ, who was in the days of his flesh assaulted by the tyranny both of spiritual and temporal enemies. His temporal enemies, Herod and Pontius Pilate, with the Gentiles and people of Israel, furiously raged and took counsel together against him. The chief priests and princes were, saith Hierome, like lions, and the people like the whelps of lions, all of them in a readiness to devour his soul. The rulers laid a net for his feet in their captious interrogatories, asking (Mt 22:17), "Is it lawful to give tribute unto Caesar, or not?" and (Joh 8:5) whether the woman taken in the very act of adultery should be stoned to death or no. The people were "set on fire, "when as they raged against him, and their teeth and tongues were spears and swords in crying, "Crucify him, crucify him." His spiritual enemies also sought to swallow him up; his soul was among lions all the days of his life, at the hour of his death especially. The devil in tempting and troubling him, had laid a snare for his feet; and death, in digging a pit for him, had thought to devour him. As David was in death, so Christ the Son of David was in the grave. John Boys, 1571-1625.
Be merciful unto me, O God, etc. This excellent Psalm was composed by David when there was enough to discompose the best man in the world. The repetition notes both the extremity of the danger, and the ardency of the supplicant. Mercy! Mercy! Nothing but mercy, and that exerting itself in any extraordinary way, can now save him from ruin. The arguments he pleads for obtaining mercy in this distress are very considerable.
1. He pleads his reliance upon God as an argument to move mercy. My soul trusteth in thee, etc. This his trust and dependence upon God, though it be not argumentative in respect of the dignity of the act; yet it is so in respect both of the nature of the object, a compassionate God who will not expose any that take shelter under his wings, and in respect of the promise, whereby protection is assured to them that fly to him for sanctuary. Isa 26:3.
2. He pleads former experiences of his help in past distresses, as an argument encouraging hope under the present strait (Ps 57:2). John Flavel.
Charles H. Spurgeon, The Treasury of David, Psalms 57:1. Public domain.
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